![]() "Transparente" her first full length film celebrated premiere at the American Dance Festival / International Screendance Festival and toured in Europe and South America. ![]() 2013: choreographed the theater piece "Angst" directed by Volker Lösch at Stadttheater Basel in Switzerland, and got the Tanzstipendium of the Berliner Senat. ![]() She was guest student of the MA Choreographie of the HZT – Ernst Busch in Berlin.Ģ012: her piece "Transparente" was coproduced in Bogotá together with the company Danza Común and the Cultural Ministry of the Colombian government. Her choreography "To Die For" had premiere at Sophiensaele Berlin in 2011. She worked in Berlin, with the project TanzZeit – Dance in Schools.Ģ010, her creation “The Second Time in Between”, was produced with the Einstiegsförderung of the Berliner Senate and the Berliner Theatre Dock11. After teaching in Colombia, Martha started working in 2008 as assistant choreographer in Community Dance projects for Josef Eder, Royston Maldoom, and Rhys Martin, among others with the Berliner Philharmoniker and with homeless kids at the National Theatre in Bucarest, Rumania. "Autorretrato." was nominated for the National Dance Prize 2010 of the Colombian Ministry of Culture. Her piece “Autorretrato con Máscara – Self-Portrait with Mask'' was realized with the support of the Spanish Foundation IBERESCENA, obtained the Prize of the Audience at the Festival 100° in Berlin, Sophiensaele 2009 and was selected as the best piece of the season 2009 of the theatre R101 in Bogotá. Martha founded in 2007 the Colombian - German group PERIFERIC. She has been awarded with several prizes and scholarships. Her own creations have been invited to Festivals in Europa, Asia and the Americas. She danced for the Wuppertal Dance Theatre, Münster State Theatre, Schauspielhaus Bochum, Aachen Theatre and performed in various independent productions. Martha got her MA Art in Context at the UdK Berlin and studied Dance in her homecountry and finished her studies in Dancetheatre and SoloDance at the Folkwang University Essen, Germany, under the guidance of Pina Bausch, with teachers such as Lutz Förster, Dominique Mercy, Stephan Brinkmann, Juan Cruz Díaz de Garaio Esanola and Malou Airaudo. In 2021 she premiered the first part of the trilogy HECATOMB at EDEN Berlin and in 2020 the solo/performance AMAZONIA 2040 at DOCK11 Berlin. Hincapié Charry has created several unlearning spaces dealing with underrepresented and excluded BIPoC (black, indigenous and people of color) expressions and struggles. Her work is dedicated to the decolonization of conventional artistic practices, structures and spaces. Through a transdisciplinary reflection of bodies, Martha opens a space of dialogue between continents in which the themes of climate chaos, the relationship between humans/more-than-humans and the visible with the invisible world find a platform. In her praxis she has delved into the embodiment of ancient technologies, in dialogue with the current geopolitical situation, through mediums such as dance, performance, video/sound installation, screen-dance, photography, documentaries and festival formats. She has been sharing with diverse native communities several practices related to ceremonies as well as approaching traditional ecological knowledge, shared by elders, that build cross-cultural and trans-indigenous bridges. Her body of work in recent years has been based on indigenous wisdom related to climate change and extinction. She collaborates as curator with the Dance Bienal of Cali, Colombia,REDIV the Ibero-American network of Screendance Festivals, Barazani Berlin and resident curator at La Sierra Artist residency. Martha is since 2021 associate curator at Radial System Berlin and since 2011 artistic director of Plataforma/SurReal Berlin: Ibero-American Festival for Dance, Performance, Installation and Screendance. Watermill Center artist in residence 2021
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